Smetana, Bedrich: The Bartered Bride
Comic opera in 3 acts
vocal/choral score
The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis.
The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer's last version of the work was also performed in 1870.
This vocal score contains the musical text of the critical edition of Smetana's own vocal score.
The newly-set edition contains both Czech and German vocal texts, the German singing transl ation is by Kurt Honolka.
The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire.
The vocal score replaces the old edition AE 112.
- Urtext based on the critical edition of Smetana's own vocal score
- A key work of modern Czech opera
- New foreword by Marta Ottlová (Cz/Eng/Ger)
- Includes singing translation by Kurt Honolka (Ger)
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
