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Dvořák, Antonín: Dvorak, A., Rusalka op. 114

vocal/choral score

Op. 114
Words by Kvapil, Jaroslav
Translated by Rusbridge, Daphne – Schmidt, Eberhard
Transcribed by Šolc, Karel
Setting: Vocal
Instrumentation: piano/5SSolo/MezSolo/ASolo/3TSolo/BSolo
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.77 kg
Publisher: Bärenreiter
Item number: BA9510-90
Other reference: BA09510-90
ISMN: 9790260104006
With ' Rusalka ', one of the best-loved and most frequently performed works in the Czech operatic repertoire, Dvorak reached an exceptional level of lyrical depth and dramatic effectiveness. The opera portrays the fairy tale-like drama around the unhappy love of the nymph Rusalka for a human.
So that she can love and be loved, she has to renounce her watery kingdom. Through the magical powers of a witch she is transformed into a human, at the price of losing her speech.
The Prince soon grows tired of her silent, cold beauty, and his heart turns towards a foreign princess. The despairing Rusalka wants to return to her watery kingdom. The disappointed Prince once more feels attracted to Rusalka's magic. He returns to her by the forest lake. Rusalka's deathly kiss brings him the release he longs for.
The vocal score by Karel Solc , based on the Complete Edition, is published for the first time with a German singing translation of the text by Eberhard Schmidt.
- One of the bes t-known Czech operas
- Vocal score by Karel Solc
- Newly underlaid with German singing translation by Eberhard Schmidt
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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