Schumann, Robert: Dichterliebe
vocal/choral score
Robert Schumann once described his lieder as a &rdquo,mirror image of his self&rdquo,. This applies particularly to his compositions from Heinrich Heine&rsquo,s &ldquo,Buch der Lieder&rdquo,.
What began as a lyricalintermezzo, then developed into &ldquo,Dichterliebe&rdquo,, a work with which Schumann identified the ardour of his love for Clara Wieck.
This work still presents an enigma to performers, how Schumann interpretesHeine&rsquo,s irony in his music is often discussed. But
Contents | ||
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1. | Im Wunderschonen monat mai [Schumann, Robert] | |
2. | Aus meinen Tränen sprießen [Schumann, Robert] | |
3. | Die Rose, die Lilie, die Taube, die Sonne [Schumann, Robert] | |
4. | Wenn ich in deine Augen seh' [Schumann, Robert] | |
5. | Ich will meine Seele tauchen [Schumann, Robert] | |
6. | Im Rhein, im heiligen Strome [Schumann, Robert] | |
7. | Ich grolle nicht [Schumann, Robert] | |
8. | Und wüssten's die Blumen [Schumann, Robert] | |
9. | Das ist ein Flöten und Geigen [Schumann, Robert] | |
10. | Hör' ich das Liedchen klingen [Schumann, Robert] | |
11. | Ein Jungling Liebt Ein Madchen [Schumann, Robert] | |
12. | Am leuchtenden Sommermorgen [Schumann, Robert] | |
13. | Ich hab' im Traum geweinet [Schumann, Robert] | |
14. | Allnächtlich im Traume [Schumann, Robert] | |
15. | Aus alten Märchen [Schumann, Robert] | |
16. | Die alten bösen Lieder [Schumann, Robert] | |
17. | Dein Angesicht op. 127,2 [Schumann, Robert] | |
18. | Lehn' deine Wang' op. 142,2 [Schumann, Robert] | |
19. | Es leuchtet meine Liebe op. 127,3 [Schumann, Robert] | |
20. | Mein Wagen rollet langsam op. 142,4 [Schumann, Robert] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
