Bartók Béla: Easy Piano Pieces and Dances
playing score
Bartók’s voluminous output for the piano contains a great many exquisite masterpieces at every level of difficulty. This collection gathers together easy to moderately difficult pieces, including a wide variety of dance formsand folk-music miniatures. Players can coax magical sounds from the instrument using a varied refinement of touch such as silently depressed keys or can even play in two keys at once (bitonality). In addition, all of thisprovides a stimulus for improvisation.
This
Contents | ||
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1. | Three Romanian Folk Tunes 1. Cantec de joc | |
2. | Play Song [Bartók, Béla] | |
3. | 2. Pasare galbina’n cioc | |
4. | Oh Bird with a Yellow beak! [Bartók, Béla] | |
5. | 3. Joc (din drâmboaia) | |
6. | Dance (with a jew’s harp) [Bartók, Béla] | |
7. | Two Hungarian Folk Songs [Bartók, Béla] | |
8. | Little Dialogue [Bartók, Béla] | |
9. | Játszó gyermekek | |
10. | Children playing [Bartók, Béla] | |
11. | Gyermekdal | |
12. | Children’s Song [Bartók, Béla] | |
13. | Quasi Adagio [Bartók, Béla] | |
14. | Románc | |
15. | Romance [Bartók, Béla] | |
16. | Ötfokú dallam | |
17. | Pentatonic Song [Bartók, Béla] | |
18. | Regösének | |
19. | Song about the Magic of Christmas [Bartók, Béla] | |
20. | Este a székelyeknél | |
21. | An Evening in the Countryside [Bartók, Béla] | |
22. | Tót legények tánca | |
23. | Dance of the Slovaks [Bartók, Béla] | |
24. | Hungarian Folk Tune [Bartok, Bela] | |
25. | Medvetánc | |
26. | Dance of the Bear [Bartók, Béla] | |
27. | Felhangok | |
28. | Harmonics [Bartók, Béla] | |
29. | Dallam ködgomolyagban | |
30. | Melody in the Mist [Bartók, Béla] | |
31. | Oláhos | |
32. | In Wallachian Style OP.9 | |
33. | 6 [Bartók, Béla] | |
34. | Bagatelle Op.6 | |
35. | 1 [Bartók, Béla] | |
36. | Csörgo-tánc | |
37. | Tombourine [Bartók, Béla] | |
38. | Dal | |
39. | Air [Bartók, Béla] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
