Frescobaldi, Girolamo: Frescobaldi,Organ and Keyboard Works
playing score
Only one specimen of the original edition is now known, there are further two extant manuscript copies, one of them complete in the hand of Bernadino Pasquini.
Though the pieces are printed 'in partitura', that is with each of the four parts on a separate stave, they are nonetheless intended by the composer for a keyboard instrument.Thanks to the reliability of the printed edition, the transcription into modern notation (on two staves) could be achieved without special difficulty. In one place, however, where neither the first edition nor Pasquini's copy make Frescobaldi' s intentions sufficiently clear, the partitura is given as it is found in the model. The following are editorial additions: all accidentals printed small and off the stave, also the letters to denote the parts and the connecting strokes to elucidate th e part-writing.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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