'''I treat the piano as an instrument in no way different from others in the rich music collection. [”] On the one hand, I feel excited about, for instance, the possibility to write something in a style of a piano concerto, on the other - I have some doubts about shedding new light or sparking significant impulses from that great three-legged animal without hitting the obvious. But there does exist something lighter - a play, a game, a distorting mirror, reflecting a noble appearance of a fatso. Not refined games, but volatile and smooth treatment of the matter. Not a game on wedges, but in trainers. A wink of an eye at an obese instrument arousing emotions in the listeners and sufferings in young music lovers practising scales and passages.A remedy for continuing to compose for the piano may be [”] a conscious „anti-activity”, presenting current artistic achievements for this instrument as if in a distorting mirror.''