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Fourne, Louis: The First World War

partition de concert

Édité par Gardon, Olifour
Instrumentation: Piano
Instrumentation: piano
Période: Moyen-age, romantique
Langue: anglais, allemand
Degré de difficulté: 5
Poids: 0.475 kg
Editeur: Bärenreiter
Numéro d’édition: BA9612
Cotage de l'editeur: BA09612
ISMN: 9790006535835
First critical Urtext edition based on all available autograph manuscripts and printed sourcesWith a detailed foreword and critical commentary (both Fr/Eng/Ger), complemented by numerous facsimilesWell-presented layoutWith hisDouze Préludes Op.36 and Trois Nocturnes Op.35 composed between 1914 and 1916, Vierne followed in the Romantic piano tradition, whilst lending the historic models that special sound between elegance and expressivity, as ischaracteristic for French music of the period. The e
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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