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Middelschulte, Wilhelm: Original Compositions 2

partition de concert

Édité par Meyer, Hans-Dieter – Sonnentheil, Jürgen
Instrumentation: Orgue
Poids: 0.318 kg
Editeur: Bärenreiter
Numéro d’édition: BA9204
Cotage de l'editeur: BA09204
ISMN: 9790006523788
Wilhelm Middelschulte (1863-1943) studied church music in Berlin . From 1891 onwards he worked as director of the organ department at the American Conservatory in Chicago and the Wisconsin Conservatory in Milwaukee . As a virtuoso organist he had a formative impact in the USA .
No lesser authority than Ferruccio Busoni described Middelschulte as a 'master of counterpoint' and declared him to be the greatest contrapuntalist since Johann Sebastian Bach.
Volume IV contains two works which belong to the group of larger-scale compositions completed by the composer himself. The Contrapuntal Symphony was the last work to be published during the composer's lifetime. The manuscript of the Chaconne was considered to be lost until recently and it is now being published here for the first time.
The Complete Organ Works will comprise a total of seven volumes.
- First Urtext edition of Middelschulte's Complete Organ Works
- First publication of the Chaconne
- Each volume contain s a detailed foreword and critical commentary (Ger/Eng)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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