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Pergolesi, Giovanni Battista: Mass

score

Edited by Bruno, Malcolm/ Ritchie, Caroline
Instrumentatie: 2Mixed choir-SSATB/2Mixed choir-SATB/Coro I:2Ob/2Hn/2Trp/2V/Va/Bc(Vc/double bass/Org)/Coro II:2V/Va/Bc(Vc/double bass/Org)
Serie: Bärenreiter Urtext
Perioada: Baroque
Nivel: 3
Greutate: 0.548 kg
Editor: Bärenreiter
Numar articol: BA8958
Numarul original al articolului la editor: BA08958
ISBN: 9790006557608
The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra. The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime. This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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