Bärenreiter Opera Kaleidoscope for Soprano
vocal/choral score
Continut | ||
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1. | O wär’ ich schon mit dir vereint, Marzelline’s aria from Fidelio [Beethoven, Ludwig van] | |
2. | Adieu, fiere cite, Dido’s aria from Les Troyens [Berlioz, Hector] | |
3. | O petite étoile!, Lazuli’s romance from L’Étoile [Chabrier, Emmanuel] | |
4. | Divinités du Styx, Alceste’s aria from Alceste, Paris version 1776 [Gluck, Christoph Willibald] | |
5. | Qual vita e questa mai ╩ Che fiero momento, Eurydice’s recitative and aria from Orfeo ed Euridice, Vienna version 1762 [Gluck, C | |
6. | Tornami a vagheggiar, Morgana’s aria from Alcina HWV 34 [Handel, George Frideric] | |
7. | Frondi tenere ╩ Ombra mai fu, Xerxes’ recitative and aria from Serse HWV 40 [Handel, George Frideric] | |
8. | E amore di natura, Nerina’s aria from La fedelta premiata Hob. XXVIII:10 [Haydn, Joseph] | |
9. | Signor, quel infelice, Proserpina’s aria from L’Orfeo [Monteverdi, Claudio] | |
10. | Ach ich fühl’s, es ist verschwunden!, Pamina’s aria from The Magic Flute K.622 [Mozart, Wolfgang Amadeus] | |
11. | Giunse alfin il momento ╩ Deh vieni non tardar, Susanna’s recitative and aria from The Marriage of Figaro K.492 [Mozart, Wolfgan | |
12. | Kdybych se co takového - If I ever should find out, Mary’s aria from Prodaná nevesta - The Bartered Bride [Smetana, Bedrich] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
