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Price: $34.99 (Excl. VAT)
Telemann, Georg Philipp: Sonatas
for recorder and basso continuo
score and parts
Continuo realized by Gyenge Enikő
Edited by Malina János
Setting: Recorder and piano
Series: EMB Urtext
Period: Baroque
Language: Hungarian, English, German
Length: 96 pages
Format: 23 x 30,2 cm (Bach)
Weight: 0.296 kg
Published: March 1, 1995
Publisher: Editio Musica Budapest Zeneműkiadó
Item number: 13542
ISMN: 9790080135426
The composer of the Baroque era and perhaps of the whole history of music who knew most about the recorder was Georg Philipp Telemann. His sonatas recorder belong to the basic repertory of each professional and pretentious amateur player of the instrument. The complete edition of his sonatas is still missing and the quality of the available editions of the various pieces is definitely uneven. It is thus a pioneering work to publish Telemann's complete sonata output in the EMB Urtext series.
An ABRSM syllabus title, 2014-2021, Grade 8
This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
Contents | ||
|---|---|---|
| 1. | Sonate I (F-Dur), TWV 41: F 2 ABRSM Grade 6.A.9 Treble Recorder (2022-) | |
| 2. | Sonate II (B-Dur), TWV 41: B 3 ABRSM Grade 5.A.10 Treble Recorder (2022-) | |
| 3. | Sonate III (f-Moll), TWV 41: f 1 | |
| 4. | Sonate IV (C-Dur), TWV 41: C 2 | |
| 5. | Sonate V (d-Moll), TWV 41: d 4 | |
| 6. | Sonate VI (C-Dur), TWV 41: C 5 ABRSM Grade 8.A.9 Treble Recorder (2022-) | |
| 7. | Sonate VII (f-Moll), TWV 41: f 2 | |
EMB Urtext Series
The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.
