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Haydn, Franz Joseph: Armida Hob. XXVIII:12

Chorpartitur

Übersetzung von Müller, Gerhard
Besetzung: Gesang
Besetzung: S1/S2/T1/T2/T3/B/piano
Periode: Klassik
Sprache: englisch, deutsch
Dauer: 3:00
Gewicht: 0.676 kg
Verlag: Bärenreiter
Artikelnummer: BA4662-90
Verlagsnummer: BA04662-90
ISMN: 9790006520411
Haydn's last stage work for the theater of Prince Nikolaus Esterházy , was the opera seria ' Armida '. It was composed in 1783 and had its first public performance on 26 February 1784.
It was originally thought that Jacopo Durandi was the librettist. However, after detailed comparison with numerous other ' Armida ' libretti, the likely librettist was probably Nunziato Porto (?). The opera was a great success and Haydn's contemporaries considered ' Armida ' his best stagework .
With the choice of ' Armida ' as a theme, (from T. Tassos ' Gerusalemme liberata ') Haydn entered into a longstanding opera tradition.
For five years ' Armida ' was part of the repertoire of the Royal Theatre and enthusiastically received. It was also performed in Pressburg , Budapest and Vienna. The vocal score is based on the Urtext of the Haydn Complete Edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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