Brahms hesitated for a long time over writing a solo concerto for an instrument whose technique he was not very familiar with. Therefore in 1877/78 his Concerto for violin and orchestra op. 77 came into being in closecollaboration with his friend Joseph Joachim, who also contributed a cadenza for it. The work was quickly received with enthusiasm by Brahms's contemporaries, and today is still considered a central piece in the repertoire, so anUrtext edition in a convenient small format is useful