A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for instance, that there are some peculiarities in the transmission history of Mozart’s four flute quartets: one quartet (C major, Anh. 171 [K. 285b]) is in all likelihood falsely attributed and thus not by Mozart at all, another (G major, K. 285a) survives in only two movements, and peculiarly at that,