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Martinu, Bohuslav: Puppets III.

playing score

存款: Piano
器乐创作: piano
时期: 20th Century
Weight: 0.178 kg
出版者: Bärenreiter
刊物代码: H7963
其他出版代码: H07963
ISMN: 9790260103634
This collection of fourteen pieces, together entitledPuppets, plays an exceptional role in thecatalogue of early works by Bohuslav Martinu (1890-1959), namely in that itrepresents the firstworks by Martinu which transcended his initial attempts at composition andquickly founda publisher. Thanks to their lasting popularity particularly with youngpianists, they wereultimately published in numerous editions. (The way the pieces are numbered,which thecomposer verifiably accepted, however, does not correspond to their actualchronologicalorder - they were, in fact, written in reverse order, so that Puppets III camefirst, whilePuppets I is the latest in the series.) All three books of Puppets, whichemerged betweenthe years 1912 and 1925 and, despite their title, differ from one another intheir aestheticapproaches and progressive maturity, are published by Editio Barenreiter innew, revisedurtext editions edited by Ales Brezina. This urtext edition with its relativelycomprehensivepreface descri bing the circumstances surrounding the advent of the work, issupported bythe latest research and an assessment of all known and accessible sources,which theeditor presents and clarifies in detail in his critical commentary to thesecond and thirdbooks of Puppets. Thus Puppet Ball (No. 4) is also published in the third bookin twoseparate versions - in a newer version based on the first edition, on whichMartinu veryprobably collaborated and which introduces, apart from other changes, entirelynewmusic as well in the middle part, and in an earlier version based on theautograph.Thanks to its witty musical ideas and the composer's empathy for children andtheirintellectual world, Puppets has, since its first edition, always been highlypopularamong performers.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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