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Tropi proprii missae I.

playing score

Edited by Vlhová-Wörner, Hana
存款: Vocal
器乐创作: Voc.(unison)
时期: 20th Century
Weight: 0.622 kg
出版者: Bärenreiter
刊物代码: H7878
其他出版代码: H07878
ISMN: 9790260103313
The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century. Many of the texts and melodies in this publication are made accessible for the very first time. The first volume (Tropi Proprii Missae) includes the troped chants of the Proper of the Mass along with an intorduction, commentaries and plates. The tropes are published unabridged with the original chants making this edition suitable not only for the professional public but also for practical performances. Hana Vlhová-Wörner studied musicology in Prague and Basel, Switzerland. Since 2006, she has lived in the U.S.A. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to the 16th centuries and is one of the editors of the Jistebnice Kancionál.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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