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Martinu, Bohuslav: Quatre Mouvements 1

playing score

存款: Piano
器乐创作: piano
Weight: 0.084 kg
出版者: Bärenreiter
刊物代码: H6156
其他出版代码: H06156
ISMN: 9790260104921
Quatre mouvements (Four Movements) for piano, composed in Paris during Easter 1929, is being published for the first time. The autograph of the composition (6 sheets, 272 x 350), of which the first is the title page, the next nine sides are filled with musical notation, the last two sides are empty) is the property of Milos Safrinek, who most willingly lent it to the publishers to prepare this edition.
Title page: A Monsieur I Milos [sic] Safranek [sic] I Quatre mouvements | B. Martinu | Bohuslav Martinu | Paris Paques 1929. There is a line drawn through a question mark over the title, the author, evidently, was undecided at the beginning about the name of the composition and added it in pencil, whereas all the rest of the information on the title page is written in pen.
At the end of the 4th movement the composer wrote: B. Martinu | Paris 23 Mars 1929.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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