价格: $21.60 不含税
在线购买: 大约一个月后可邮递
店铺取货: 大约一个月后可邮递

Dvořák, Antonín: String Quartet IV/5

parts

存款: String Quartet
器乐创作: 2V/Va/Vc
系列: The Complete Works of Antonín Dvorák
时期: Classic
Weight: 0.303 kg
出版者: Bärenreiter
刊物代码: H4592
其他出版代码: H04592
ISMN: 9790260106031
String quartet compositions are among the most frequent of Dvorák's early works. String Quartet in A major from March 1862 is followed by a trio of works set in B-flat major, D major and E minor, written sometime around 1869-71. When Dvorák returned to his older works in later times, his manuscript list placed these quartets among the works he had destroyed. Mayhap he did so with the sketches or scores. However, Dvorák's handwritten copies of the parts survived - apparently thanks to the director of the Prague Conservatory Antonín Bennewitz, first violinist of the well-known string quartet. Dvorák might have given him the pieces for a performance that, as far as we know, did not take place. Dvorák, who was at the time still a violist at the Provisional Theatre, was greatly enthused by the compositional methods of Wagner, and these inspirations are reflected in the String Quartet in E minor. The current edition of the parts is published within the first Complete Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Subscribe to our e-mail newsletter

Stay updated on the latest news and publications

JOIN A COMMUNITY

of music lovers, educators and performers