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Dvořák, Antonín: String Quartet IV/7 - B 193

parts

Op. 105
器乐创作: 2 V/Va/Vc
系列: The Complete Works of Antonín Dvorák
时期: Romantic
Weight: 0.258 kg
出版者: Bärenreiter
刊物代码: H1569
其他出版代码: H01569
ISMN: 9790260105652
Dvorák's String Quartet in A-flat major is the last of the composer´s chamber music compositions and also his last work without a programme title.
Dvorák began composing this quartet in 1895 while still in New York, but interrupted his writing and renewed it again only 8 months later in Prague after having meanwhile completed the G major Quartet. Similarly to the G major Quartet, this last quartet demonstrates Dvorák´s overwhelming joy and happiness upon returning to his beloved homeland after a long time spent abroad. All the quartet's themes are entirely free of any echoes of American folk music and each of its four movements sings in tones solely Czech in character.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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