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Die Musik in Geschichte und Gegenwart (MGG) (Supplement)

Universal Encyclopedia of Music

book

Edited by Finscher, Ludwig
Weight: 1.745 kg
出版者: Bärenreiter
刊物代码: GBR1139
The Supplement Volume
The Supplement Volume adds 800 new biographical and subject entries to the MGG‚s rich array of material. Special attention has been given to entries on contemporary artists and new concepts as well as more substantial articles on the history of genres. Only with the supplement will your knowledge of music be completely up-to-date.
The volume contains
- biographical entries , including instrument makers, writers on music, performers, conductors, contemporary composers, rock and pop musicians as well as jazz musicians
- entries on topics of recent interest to musicologists , including gender studies, Sound Art, New Simplicity, regional research, Klezmer and World Music
- entries on the history of genres , including opera, revue and Chinese music theater

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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