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Händel, Georg Friedrich: Crudel tiranno Amor II/34

Cantata con stromenti for solo soprano and keyboard instrument.

facsimile

Edited by Over, Bertold
器乐创作: SSolo/Bc
时期: Baroque
Weight: 0.515 kg
出版者: Bärenreiter
刊物代码: BVK1915
其他出版代码: BVK01915
ISMN: 9783761823231
This newly rediscovered autograph score by George Frideric Handel, containing a complete and previously unknown version of the solo cantata ‚ Crudel tiranno Amor', is preserved among the more than three hundred collections in the Music Department of the Bavarian State Library.
The sensational discovery was made in 2004 by the musicologist Dr. Berthold Over, who identified the anonymous manuscript of the Italian solo cantata Crudel tiranno Amor as a work by Handel in his own hand (HWV 97).
We share the hope that our facsimile reproduction and first edition, along with the premiere performance on 17 May 2006 in the Church of All Saints (Munich Residence), will make one of the most delightful of Handel's Italian cantatas publicly accessible in the best possible manner.'
Dr. Rolf Griebel , General Director of the Bavarian State Library
- First edition of a spectacular discovery in the Bavarian State Library
- High-quality facsimile with transcription
- Scholarly intr oduction by Berthold Over
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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