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Dürr, Walther: Sprache und Musik 7

Geschichte - Gattungen - Analysemodelle

book

Edited by Leopold, Silke – Schmoll-Barthel, Jutta
存款: Books
系列: Bärenreiter Studienbücher Musik
页数: 279 页
Weight: 0.404 kg
出版者: Bärenreiter
刊物代码: BVK1153
其他出版代码: BVK01153
ISMN: 9783761816875
The author, a senior editor of the New Schubert Edition, has written the first complete, systematic presentation of the 500- year history of the relation between words and music. Special attention is given to the Italian madrigal, German opera and the lied, with a novel explo- ration of linguistic references in Schubert's instrumental music. German text.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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