Sassmannshaus, Egon – Sassmannshaus, Kurt: Early Start on the Violin 2
A violin method for children
playing score
To accompany this volume we recommend the two volumes of the 'Violin Recital Album' (<a href
内容目录 | ||
---|---|---|
1. | Preface | |
2. | The Third Finger Is The Tonic | |
3. | Triads In C major, G major And D major | |
4. | Songs With The New Finger Pattern | |
5. | The Dotted Quarter Note | |
6. | The Second Finger Changes Between High And Low Positions | |
7. | The First Is The Tonic | |
8. | Triads In E major, A major And B major | |
9. | Songs With The New Finger Pattern | |
10. | The Third Finger Changes Between High an Low Positions | |
11. | The Three Finger patterns | |
12. | Playing In Different Positions With The Three Patterns | |
13. | Double Stops | |
14. | The Second Finger Is The Tonic | |
15. | Triads In F major, B-flat major And C major | |
16. | Songs With The New Finger Pattern | |
17. | Sixteenth Notes | |
18. | The First Finger Changes Between High And Low Positions | |
19. | C major Notes In First Position | |
20. | Exercises And Pieces In C major | |
21. | Major And Minor Scales And Arpeggios Across Four Strings |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
