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Dvořák, Antonín: The Spectre's Bride

Dramatic cantata to the words by Karel JaromÝr Erben

vocal/choral score

Op. 69
Edited by Bartoš, František – Pokorný, Antonín
Transcribed by Šolc, Karel
Translated by Clapham, John – Eisner, Pavel
Words by Erben, Karel Jaromír
存款: Vocal
器乐创作: SSolo/TSolo/BSolo/Mixed choir-SATB/Orch
时期: Romantic
Weight: 0.598 kg
出版者: Bärenreiter
刊物代码: BA9544-90
其他出版代码: BA09544-90
ISMN: 9790260105720

The preference of English audiences for large-scale
Vocal works led to Dvorák being commissioned in November 1883 to write this cantata for solo voices, chorus and orchestra for the 1885 Birmingham MusicalFestival.

As the basis for his composition, Dvorák chose the ballad text ''Svatebn košile'' (literally ''The Bridal Gowns'') from the collection ''Kytice z povest národn ch'' (''A Garland of Folk Tales'') by the Czechpoet Karel Jarom r Erben (1811 1870).

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100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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