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Trojahn, Manfred: IV. String Quartet

score

存款: String Quartet
器乐创作: 2V/Va/Vc
时长: 0:21
页数: 43 页
Weight: 0.192 kg
出版者: Bärenreiter
刊物代码: BA9378
其他出版代码: BA09378
ISMN: 9790006539086
A modern sequel to the music of the Romantic era.
The first movement hints at the chromatic of 'Tristan', cantilena lines convey a mournful scene. It is succeeded by a brilliant scherzo with the cryptic title 'Erste fremde Szene' (First Foreign/Unknown Scene - one is invited to solve this riddle), while the third movement, with its singing quality, is related to the first.
The final movement, a 'Zweite fremde Szene' ('Second Foreign/Unknown Scene'), alludes to the 'last dance' tradition, with its ironic undertones and the copious use of sixths, counterpointed with tarantella rhythms.
A rewarding, striking work, equally valuable for concerts combining older compositions with new works as for contemporary music programmes.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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