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Mozart, Wolfgang Amadeus: Concert Arias

for low Soprano and Contralto

vocal/choral score

Transcribed by Beyer, Christian
Edited by Seedorf, Thomas
存款: Vocal
器乐创作: SSolo/ASolo/piano
系列: Bärenreiter Urtext
时期: Classic
Weight: 0.27 kg
首次出版: 2013
出版者: Bärenreiter
刊物代码: BA9183
其他出版代码: BA09183
ISMN: 9790006541324

This vocal score of Mozart’s concert and insert arias is based on the New Mozart Edition (NMA).

The musical text presented in this edition is free from practical references on performance aspects or suggestionson performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria.

In addition, there is a choice of suggestions forthe performance of cadenzas and lead-ins a

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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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