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Sassmannshaus, Christoph: Viola Recital Album 2

9 Recital Pieces in First Position for Viola an Piano or Two Violas

playing score

Edited by Lusk, Melissa
存款: Violas, Viola and piano
器乐创作: Va/piano(2Va)
系列: Bärenreiter's Sassmannshaus
语言: English, German
难度: 2
Weight: 0.17 kg
首次出版: 2017
出版者: Bärenreiter
刊物代码: BA8991
其他出版代码: BA08991
ISMN: 9790006565665

These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces arewritten entirely in first position, they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.

The piano part may beplayed by the teacher or an advanced student. A

内容目录

1.
Russian Song Without Words [Fitzenhagen, Wilhelm]
2.
Tip Toe [Sassmannshaus, Christoph
3.
Lusk, Melissa]
4.
March [Williams Krogmann, Carrie]
5.
My Old Friend John [Land, Edward]
6.
The Little Prince [Williams Krogmann, Carrie]
7.
The Robin's Lullaby [Williams Krogmann, Carrie]
8.
Pop Goes the Weasel [Traditional, England]
9.
Moo-lee-wha [Traditional, China]
10.
Soldier's March [Laubach, Alfred]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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