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Rieding, Oscar: Concertino in Hungarian Style in A minor op. 21

Bärenreiter's Concert Pieces

piano score

Op. 21
Edited by Sassmannshaus, Kurt
存款: Violin and Piano
器乐创作: V-solo/Orch
系列: Bärenreiter's Concert Pieces
语言: English, German
Weight: 0.134 kg
出版者: Bärenreiter
刊物代码: BA8973
其他出版代码: BA08973
ISMN: 9790006539253

Bärenreiter's Easy Concertos is a new series of the most popular short concertos for violinists who want to begin performing in public. The series begins with works by the composers Rieding, Seitz and Vivaldi which areclear favourites amongst the first solo concertos played.

The editions include a solo Violin part and a Piano reduction for the accompanist. The series is edited by Kurt Sassmannshaus, the internationally renowned Violinteacher and co-author of the Sassmannshaus V

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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