价格: $44.30 不含税
在线购买: 可购买
店铺取货: 1-2周

Fauré, Gabriel: Quatuor Ó cordes / String Quartet

parts

Op. 121
Edited by Sobaskie, James William
存款: String Quartet
器乐创作: 2V/Va/Vc
系列: Bärenreiter Urtext
时期: Romantic
语言: English, German
Weight: 0.219 kg
首次出版: 2010
出版者: Bärenreiter
刊物代码: BA7901
其他出版代码: BA07901
ISMN: 9790006539574

Gabriel Fauré's only string quartet which was composed in 1923-24 is the composer’s final work and was written at the suggestion of his publisher Jacques Durand.

Until then, Fauré had always put off writing a stringquartet, evidently because of Beethoven’s imposing shadow. When Fauré composed the quartet he was already extremely ill. He added dynamics and slurs only in some parts of the exposition of the first movement and then asked hisformer pupil Jean Roger-Ducasse to complete the w

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Subscribe to our e-mail newsletter

Stay updated on the latest news and publications

JOIN A COMMUNITY

of music lovers, educators and performers