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Gade, Niels Wilhelm: Elverskud (The Erl-King's Daughter) IV/2

Ballad on Danish folk legends for Soloists, Choir and Orchestra

complete edition

Op. 30
Words by Erslev, Emil (?) / Gade, Niels Wilhelm (?)
Translated by Lobedanz, Edmund
Edited by Foltmann, Niels Bo
器乐创作: Sg-S-solo,Sg-A-solo,Sg-B-solo,Mixed Choir(SSATTBB),Orch
时期: Romantic
Weight: 1.713 kg
首次出版: 2019
出版者: Bärenreiter
刊物代码: BA7621
其他出版代码: BA07621
ISMN: 9790006487783

With ''Elverskud'' (''The Erl-Kings Daughter''), Gade presented his second ''secular cantata for soloists, choir and orchestra'', the first having been his successful ''Comala'' Op. 12 (1845/46). The genre was quite popular among hiscontemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for hismusic was that of a ballad most lik

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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