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Telemann, Georg Philipp: Die Donnerode

Sacred Oratorio in two Parts

vocal/choral score

Edited by Hobohm, Wolf
Transcribed by Köhs, Andreas
存款: Vocal
器乐创作: SSolo/ASolo/TSolo/2BSolo/Mixed choir-SATB/2Fl/2Ob/Ob-dam//2bassoon/Hn/3Trp/timpani/Str/Bc(harpisc./Vc/double bass/bassoon)
系列: Bärenreiter Urtext
时期: Baroque
Weight: 0.222 kg
出版者: Bärenreiter
刊物代码: BA5900-90
其他出版代码: BA05900-90
ISMN: 9790006541287

During Telemann’s lifetime 'Die Donnerode' was one of his most popular sacred works. It was written following the devastating earthquake in Lisbon in 1755. The great success of the first performance in St. Jacobi in Hamburg in1756 encouraged Telemann to write a second part to the work in 1760, expanding 'Die Donnerode' to make a complete oratorio. The work continues to be performed in this form today.

The basic structure of 'Die Donnerode' is apsalm cantata for soloists, chorus and orc

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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