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Telemann, Georg Philipp: Die Hirten bei der Krippe zu Bethlehem

Sacred Cantata

parts

Edited by Hobohm, Wolf
Words by Ramler, Karl Wilhelm
存款: Chamber Ensemble
器乐创作: 2recorder-A/2Fl-Picc/2Fl/2Ob/bassoon/2Hn/3Trp/timpani/Str/Bc
系列: Bärenreiter Urtext
时期: Baroque
Weight: 0.154 kg
出版者: Bärenreiter
刊物代码: BA5852-65
其他出版代码: BA05852-65
ISMN: 9790006521586

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.

Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.

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100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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