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Bach, Johann Sebastian: Keyboard Works attributed to J. S. Bach

playing score

Edited by Bartels, Ulrich – Rempp, Frieder
存款: Keyboard
器乐创作: Org/piano/harpisc.
系列: Bärenreiter Urtext
时期: Baroque
语言: English, German
Weight: 0.579 kg
出版者: Bärenreiter
刊物代码: BA5249
其他出版代码: BA05249
ISMN: 9790006535811
This edition complements the volume of Keyboard Works of Doubtful Authenticity (BA 5250).
It contains works which have survived bearing Johann Sebastian Bach's name or were later attributed to Bach, but where Bach has been ruled out as composer in the opinion of the editors on stylistic grounds or following a critical examination of the sources. But having said that, it is hard to be negative about these compositions which are of a consistently high quality. Furthermore this is largely unknown repertoire, almost half of the pieces in the volume are previously unpublished. As a result, this edition invites curious and open-minded musicians on a voyage of discovery.
'In fact this is perfect source material for student editions and Interpreters, training them to think   and ‚play Baroque' without the usual printed help, and in guaranteed-unfamiliar music. Rewarding albums.'
(Music Teachers, Sept. 09)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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