Bach, Johann Sebastian: Organ Works
Preludes, Toccatas, fantasies and Fugues I
playing score
The fifth of eight authoritative volumes that together comprise the complete Organ works or J.S. Bach, presented in scholarly Urtext editions suitable for both academic study and performance.
Volume five containsPreludes, Fugues, Fantasias and Toccatas.
内容目录 | ||
---|---|---|
1. | Prelude and Fugue in C, BWV 531 | |
2. | Prelude and Fugue in C, BWV 545 | |
3. | Prelude and Fugue in C, BWV 547 | |
4. | Prelude and Fugue in C minor, BWV 549 | |
5. | Prelude and Fugue in C Minor, BWV 546 | |
6. | Fantasia and Fugue in C Minor, BWV 537 | |
7. | Fantasia and Fugue in C Minor (fragment), BWV 562 | |
8. | Prelude and Fugue in D, BWV 532 | |
9. | Prelude and Fugue in D Minor, BWV 539 | |
10. | Toccata and Fugue in D Minor, BWV 538 | |
11. | Prelude and Fugue in E minor, BWV 533 | |
12. | Prelude and Fugue in E Minor, BWV 548 | |
13. | Toccata and Fugue in F, BWV 540 | |
14. | Prelude and Fugue in F Minor, BWV 534 | |
15. | Prelude and Fugue in G, BWV 550 | |
16. | Prelude and Fugue in G, BWV 541 | |
17. | Prelude and Fugue in G Minor, BWV 535 | |
18. | Fantasia and Fugue in G Minor, BWV 542 | |
19. | Prelude and Fugue in A, BWV 536 | |
20. | Prelude and Fugue in A Minor, BWV 543 | |
21. | Prelude and Fugue in A Minor, BWV 544 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
