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Bach, Johann Sebastian: Concerto

Reconstruction after the Cantatas BWV 169 and 49 and the Concerto for Harpsichord in E-flat major BWV 1053 for Viola, Strings an

score

Edited by Fischer, Wilfried
器乐创作: va-solo/Str/Bc
系列: Bärenreiter Urtext
时期: Baroque
Weight: 0.153 kg
出版者: Bärenreiter
刊物代码: BA5149
其他出版代码: BA05149
ISMN: 9790006498963
It has been possible to reconstruct this lost work because fortunately it had been preserved in the form of arrangements by Bach himself. With these arrangements we refer to the harpsichord concerto in E-flat major (BWV 1053) and three cantata movements with obligato organ. The latter include the first movement ( Sinfonia ) and the second movement (Aria) ' Stirb in mir , Welt' from the Cantata ' Gott soll allein mein Herze haben ' (BWV 169) and the third movement ( Sinfonia ) from the Cantata ' Ich geh und suche mit Verlangen ' (BWV 49).
In the past there were many attempts to reconstruct several works by Bach. However they were based on the content of the Old Bach Edition which required significant revision.
This reconstruction by Wilfried Fischer is based on a scholarly method which orientates itself on the handwritten sources of arrangements which Bach made himself for harpsichord (or respectively for organ). All autographs of these arrangements have been preserved and clearly conclude that the original on which these are based is the Viola Concerto.
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

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When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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