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Mozart, Wolfgang Amadeus: Mozart,Concerto for piano

score

Edited by Engel, Hans – Heussner, Horst
存款: Piano and orchestra
器乐创作: piano-solo/Fl/2Ob/2bassoon/2Hn/2Trp/timpani/Str
系列: Bärenreiter Urtext
时期: Classic
页数: 92 页
Weight: 0.387 kg
出版者: Bärenreiter
刊物代码: BA4873
其他出版代码: BA04873
ISMN: 9790006458189
Mozart perfected the form of the modern piano concerto, which from about 1750 begins to show its affinity with sonata form, in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the few concertos which remained in concert repertoire in the years following Mozart's death. After the resuscitation of the other concertos it remained the most popular of all Mozart's works in this genre, and there can scarcely be a pianist who has not studied it or played it in a concert.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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