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Mozart, Wolfgang Amadeus: Missa brevis

score

Edited by Senn, Walter
存款: Voice, choir and orchestra
器乐创作: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Trp/3trombone/2V/Bassi(Vc/Basso/bassoon)/Org
系列: Bärenreiter Urtext
时期: Classic
难度: 3
Weight: 0.235 kg
出版者: Bärenreiter
刊物代码: BA4770
其他出版代码: BA04770
ISMN: 9790006456116

The autograph of the Missa brevis K.192 (186f), known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement), is dated Salzburg, 24 June 1774. This Mass, intended for Sundays andminor feasts, was in any case written for Salzburg Cathedral, in the archives of which is preserved an authentic set of parts, containing markings by Mozart and his father. When the master journeyed to Paris in 1777, he took theautograph of this work along with him, leav

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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