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Mozart, Wolfgang Amadeus: Concerto for Violin and Orchestra no. 5 A major K. 219

piano score

Edited by Mahling, Christoph Hellmut
Arranged by Schelhaas, Martin
Transcribed by Schmidt, Christian Martin
存款: Violin and Piano
器乐创作: V-solo/2Ob/2Hn/Str
系列: Bärenreiter Urtext
时期: Classic
难度: 4
时长: 0:14
Weight: 0.433 kg
出版者: Bärenreiter
刊物代码: BA4712-90
其他出版代码: BA04712-90
ISMN: 9790006453610
The new Urtext performing editions to Mozart's violin concertos nos. 1-5 contain new easy to play piano reductions. They offer in addition to the Urtext solo violin part, an extra violin part prepared with bowings and fingerings by M. Wulfhorst.

A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugene Ysaye and Martin Wulfhorst is also included.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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