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Haydn, Franz Joseph: Missa in honorem Beatissimae Virginis Mariae

vocal/choral score

Edited by Dack, James – Helms, Marianne
Transcribed by Kroupova, Olga
存款: Vocal
器乐创作: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2EnglHn/2Trp/2Hn/timpani/2V/Vo/Org
时期: Classic
语言: Latin
难度: 3
页数: 64 页
Weight: 0.199 kg
出版者: Bärenreiter
刊物代码: BA4646-90
其他出版代码: BA04646-90
ISMN: 9790006520589
Following his ' Jugendmesse ' from 1749, church music played only a secondary role in Haydn's creative output. It was not until 1766 with the ' Cacilienmesse ' and again in 1768-69 with the 'Great Organ Mass', that Haydn returned to this genre of composition. This Mass in E-flat major belongs to the same period as the 'Sturm-und- Drang ' symphonies.
Some of the remarkable features of this period are reflected here in the expansion of expression combined with a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts, the performance material contains both the original as well as the expanded versions.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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