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Mozart, Wolfgang Amadeus: Idomeneo (NMA). II/5/11

Dramma per musica in 3 acts

score

Edited by Heartz, Daniel
Words by Varesco, Giambattista
器乐创作: 2SSolo/SSolo/TSolo/3TSolo/BSolo/Mixed choir/ballet/Fl-Picc/2Ob/2clarinet/2bassoon/4Hn/2Trp/3trombone/timpani/Str/Bc
系列: Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (NMA)
时期: Classic
语言: German-Italian
时长: 3:30
Weight: 3.366 kg
出版者: Bärenreiter
刊物代码: BA4562-01
其他出版代码: BA04562-01
ISMN: 9790006450701
On 29 January 1781 Idomeneo, K. 366, received its first performance at the Cuvilliés-Theater in Munich. It was Mozart's second opera for the Munich court, the first being his opera buffa La finta giardiniera of 1775.
Apparently the Munich court itself chose the subject-matter of the new opera: the tragedy Idoménée by Antoine Danchet, in André Campra's operatic setting of 1712. It also provided detailed written instructions as to how the material was to be reworked into an Italian opera libretto. These instructions - the 'plan', as Mozart and his father referred to them in their correspondence - has unfortunately disappeared.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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