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Händel, Georg Friedrich: Apollo e Dafne (''La terra ? liberata'') HWV 122 -Cantata-

score

存款: Voice, choir and orchestra
器乐创作: Sg-S-solo,Sg-B-solo,Fl,2Ob,V1(V-solo),V2,Va,Vc-solo,Bassi(Vc,Db,bassoon,Cemb)
时期: Baroque
时长: 00:45:00
页数: 61 页
首次出版: 2020
出版者: Bärenreiter
刊物代码: BA4104-90
其他出版代码: BA04104-90
ISMN: 9790006568222
The episode from Ovid‚s 'Metamorphoses' in which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, has inspired the masterworks of many artists. Gian Lorenzo Bernini, whose famous marble sculpture is housed in the Galleria Borghese in Rome, is only one example of this. Many composers set this myth to music including young George Frideric Handel with his grand-scale dramatic cantata 'Apollo e Dafne'. The composer started working on the work shortly before leaving Italy in 1709, most likely finishing it the following year in Hanover.
Barenreiter now presents a vocal score of the opera-like cantata, the highlights of which include Dafne's aria 'Felicissima quest'alma' (accompanied by solo oboe) and Apollo's famous lament 'Cara pianta'.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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