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Händel, Georg Friedrich: Samson HWV 57

vocal/choral score

Edited by Clausen, Hans Dieter
Transcribed by Köhs, Andreas
Words by Hamilton, Newburgh
存款: Oratorios, Vocal
器乐创作: 8SSolo/ASolo/4TSolo/2BSolo/Mixed choir-SATB/2Ob/2bassoon/2Hn/2Trp/timpani/2V/Va/Bassi(Vc/double bass/bassoon/Lt-B/harpisc./Org)
系列: Bärenreiter Urtext
时期: Baroque
语言: English, German
时长: 2:25
Weight: 1.173 kg
出版者: Bärenreiter
刊物代码: BA4099-90
其他出版代码: BA04099-90
ISMN: 9790006541270
Handel composed Samson directly after completing the "Messiah".
After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composer's most successful oratorios alongside "Esther" and "Judas Maccabaeus". This probably had as much to do with the popular Old Testament story of the libretto as with Handel's masterly shaping of the arias and choruses.
By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version.
The edition is based on the complete edition volume of the "Halle Handel Edition" (BA 4099), offering the complete music text of the oratorio for the first time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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