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Händel, Georg Friedrich: Händel, Occasional Oratorio (HHA) I/23

complete edition

Edited by Channon, Merlin
Words by Hamilton, Newburgh
器乐创作: SSolo/TSolo/BSolo/Mixed choir: SSAATTBB/2Ob/2bassoon/2Hn/3Trp/timpani/3V/Va/Bassi/Org
系列: Halle Handel Edition
时期: Baroque
时长: 2:20
Weight: 1.836 kg
出版者: Bärenreiter
刊物代码: BA4089
其他出版代码: BA04089
ISMN: 9790006550081
The 'Occasional Oratorio' was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio ' Judas Maccabaeus' at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .
For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the ' Halle Handel Edition' . All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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