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Händel, Georg Friedrich: Athalia

Oratorio in 3 parts

vocal/choral score

Edited by Blaut, Stephan
Transcribed by Köhs, Andreas
存款: Vocal
器乐创作: GrOrch/3SSolo/ASolo/BSolo/2TSolo
系列: Bärenreiter Urtext
时期: Baroque
难度: 4
Weight: 1.053 kg
出版者: Bärenreiter
刊物代码: BA4082-90
其他出版代码: BA04082-90
ISMN: 9790006536313
The oratorio ' Athalia ' tells the Old Testament story of the Queen Athalia . Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great s uccess of this performance is generally regarded as a reason for Handel's renewed interest in the oratorio form. As was frequently the case, Handel also carried on composing this work after the first performance. Thus, for the version which was performed in London in 1735, he introduced numbers in Italian for the Italian singer Carestini in the role of Joad . He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act.
Conversely, large parts of the music to Athalia form the basis for other works by Handel such as ' Parnasso in festa ' (HWV 73) and the Wedding Anthem (HWV 262).
The piano reduction by Andreas Köhs , based on the Urtext of the 'Halle Handel' Edition, includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed.
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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