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Cabanilles, Joan: Selected Works

for Organ

playing score

Edited by Doderer, Gerhard – Ripoll, Miguel Bernal
存款: Organ
器乐创作: Org
系列: Bärenreiter Urtext
时期: Baroque
语言: German
难度: 3
Weight: 0.419 kg
首次出版: 2017
出版者: Bärenreiter
刊物代码: BA11228
其他出版代码: BA11228
ISMN: 9790006561025

Joan Cabanilles Selected Works for Organ

Volume I: BA11228
Volume II: BA11229

Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ''insider's tip'', ithad yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles, the cathedral organist from Valencia, now has every chanceof becoming a milestone in its own right

内容目录

1.
Tiento lleno de primer tono [Cabanilles, Joan]
2.
[Cabanilles, Joan]
3.
Tiento lleno de primer tono sobre "In exitu Israel de Aegypto" [Cabanilles, Joan]
4.
Tiento lleno de segundo tono por Gesolreut [Cabanilles, Joan]
5.
Tiento lleno de cuarto tono [Cabanilles, Joan]
6.
Tiento lleno de quinto tono por bequadrado [Cabanilles, Joan]
7.
Tiento lleno de sexto tono [Cabanilles, Joan]
8.
Tiento lleno de s│ptimo tono por Alamire [Cabanilles, Joan]
9.
Tiento lleno de octavo tono [Cabanilles, Joan]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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