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Händel, Georg Friedrich: Lucio Cornelio Silla

Oper in drei Akten

vocal/choral score

Edited by Best, Terence
Transcribed by Köhs, Andreas
Translated by Brenner, Peter
Words by Rossi, Giacomo
存款: Vocal
器乐创作: 4Sg-S-solo,2Sg-Mez-solo,Sg-B-solo,2Fl,2Ob,bassoon,Trp,2V,Va,Vc,Bassi(Vc,Kb,bassoon,Erzlaute,harpisc)
系列: Bärenreiter Urtext
时期: Baroque
时长: 02:00:00
Weight: 0.42 kg
首次出版: 2017
出版者: Bärenreiter
刊物代码: BA10701-90
其他出版代码: BA10701-90
ISMN: 9790006502370
The libretto of what is likely Handel's shortest opera - and apart from Mozart's 'Lucio Silla' the most important musical setting of the text - is based on Plutarch's biography of Roman consul and dictator Lucius Cornelius Sulla. He is historically known for his reign of terror dominated by cruelty and violence, his excessive lifestyle as well as for his unexpected abdication followed by a withdrawal into private life. This surprising, voluntary relinquishment of power allowed Handel to adhere to the customary happy end (lieto fine) of the baroque opera.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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