Schabbes Schabbes
Klezmer for 3 Clarinets
playing score
This volume gathers together eleven Yiddish melodies with the typical, slightly melancholy klezmer touch.
The impact is all the greater when they are played by three clarinets, enriching the harmonies and enlivening the overall effect. All three parts are of equal - easy - technical difficulty so that the three players can choose and master any part they wish. The more ambitious players are free to play ornamentations, embellishments and improvised solos typical of the klezmer style.
From the contents
'Schabbes, Schabbes, Schabbes' / 'As der Rebbe lacht' / 'Gassn-nign' / 'Papir is doch wayss' / 'Wu is doss gessele?'
内容目录 | ||
---|---|---|
1. | Darkecho Eloikeinu | |
2. | Schabbes, Schabbes, Schabbes | |
3. | Papir is doch wayss | |
4. | Hobn mir a nigendl | |
5. | As der Rebbe lacht | |
6. | Das freyleche Schnayderl | |
7. | Wu is doss gessele? | |
8. | Gassn-nign | |
9. | Scherele | |
10. | Asoj wayt awek fun mir | |
11. | Di nessi-e |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
