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Bach, Johann Sebastian: Be quiet, chatter not

vocal/choral score

Transcribed by Köhs, Andreas
Edited by Neumann, Werner
存款: Vocal
器乐创作: SSolo/TSolo/BSolo/Fl/2V/Va/harpisc./Bc
系列: Bärenreiter Urtext
时期: Baroque
语言: English
难度: 3
Weight: 0.16 kg
出版者: Bärenreiter
刊物代码: BA10211-90
其他出版代码: BA10211-90
ISMN: 9790006533213
The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander , are among the best-known and most frequently performed of Bach's secular cantatas.
Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria 'Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel'.
The Peasant Cantata of 1742, Bach's last datable cantata, is a musical description of folk life.
It was composed as a tribute to Picander's superior, Carl Heinrich von Dieskau , who had inherited the family estate in 1742.
Both cantatas reveal Bach's mastery in their unusual subject-matter, formal design, and musical workmanship. Now they appear in separate editions based on the 'New Bach Edition' with straightforward and easy-to-play piano reductions by Andreas Köhs.
Short text:
The Coffee Cantata and the Peasant Cantata both with librettos by Picander , are among the best-known and most frequently performed of Bach's secular cantatas. Both cantatas reveal Bach's mastery in their unusual subject matter, formal design, and musical workmanship. Now they appear in separate editions based on the New Bach Edition with straightforward and easy-to-play piano reductions.
- Urtext of the 'New Bach Edition'
- Straightforward and easy-to-play piano reduction
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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