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Bach, Johann Sebastian: Was mir behagt, ist nur die muntre Jagd

Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weißenfels and of Duke Ernst August of Saxony-Weimar

vocal/choral score

Transcribed by Dürr, Alfred
存款: Vocal
器乐创作: 2SSolo/TSolo/BSolo/Mixed choir-SATB/2recorder/2Cor-dacc/2Ob/Ob-Ba(Ob-dacc)/bassoon/2V/Va/Vc/Bc(Vc/double bass/harpisc.)
系列: Bärenreiter Urtext
时期: Baroque
语言: English
难度: 4
Weight: 0.192 kg
出版者: Bärenreiter
刊物代码: BA10208-90
其他出版代码: BA10208-90
ISMN: 9790006491841
The hunting cantata, the earliest secular cantata of Bach's which has come down to us, was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).
Bach's score employs taut musical forms, noteworthy - and entirely characteristic of Bach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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