Terefenko, Dariusz: Jazz Voicings For Piano

The complete linear approach Band 1

sheet music

存款: Piano
类型: Jazz, blues, latin
语言: English
难度: 3-4
页数: 176 页
Weight: 0.638 kg
出版者: Advance Music
刊物代码: ADV9046
ISMN: 9790206300615
Jazz Voicings: The Complete Linear Approach is designed for jazz pianists seeking to broaden their knowledge of jazz harmony and to cultivate practical skills for mastering the harmonic progressions found in standard tunes and jazz instrumentals. Created for amateur or professional jazz pianists, this path takes you step-by-step through all essential aspects of the linear approach.Part 1: The 'Drop-Two' Harmonic Technique begins with the simple process of dropping the second note from a close position chord down an octave to create an open position voicing. Making an analogy between language and music, natural languages contain a lexicon of words that allow people to communicate their thoughts and feelings to others, music (jazz) harmony contains a lexicon of chords that allow jazz musicians to communicate. Part 1 defines these rules and clearly explains how with a distinctive approach to voice leading, dissonances treatment, and counterpoint, which are logical extensions of the syntax of jazz harmony. The chapters are: 'Four-Part Chords,' 'Inverted Chords,' 'Five-Part Chords,' 'Rootless Chords,' and finishing with 'Six-Part Chords' and 'Incomplete Chords.' The concluding Exercise Section contains carefully-designed harmonic drills that utilize and complement the content of each chapter in unique and interesting ways.

内容目录

1.
Chapter 1 - Four-Part Chords: Major Chords
2.
Minor Chords
3.
Dominant Chords
4.
Half-Diminished / Diminished Chords
5.
Drop Two Technique
6.
Piano Textures
7.
Voice Leading
8.
Exploring the Potential of 'Drop Two' Voicings
9.
Exercise Section
10.
Chapter 2 - Inverted Four-Part Chords: Preliminaries
11.
Chromaticism
12.
Invertible Counterpoint
13.
Exercise Section
14.
Chapter 3 - Five-Part Chords: Major Chords
15.
Minor Chords
16.
Diminished Chords
17.
Dominant Chords
18.
Suspended Chords
19.
Keyboard Style
20.
Chorale Style
21.
Inverted Five-Part Chords
22.
Exercise Section
23.
Chapter 4 - Rootless Five-Part Voicings: Practicing Rootless Chords
24.
The ii-V7-I Progression in Keyboard Style
25.
The Sus7 Dominant Preparation
26.
The iiř-V7-i Progression in Keyboard Style
27.
Basic Melodic Elaborations in Chorale Style
28.
Exercise Section
29.
Chapter 5 - Six-Part Chords: Pairs of Triads
30.
Superimposed Triads
31.
Rootless Voicings
47.
Index

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